Posts Tagged ‘Understanding’

Understanding Craftsman Architecture

January 3rd, 2010

Many older homes in cities today have their roots in the Arts and Crafts movement. With their squared, low-lying layouts and sturdy construction, these homes are often easy to spot, but generally not as widely recognized or studied as Victorian homes from the same era – they simply remain unclassified or incorrectly identified as ranchers. As years progress, however, the homes, properly known as “Craftsman” buildings, are outlasting most Victorian buildings, and finding more recognition among preservationists and historic home buyers who want to ask for them by name.

In some ways it’s remarkable that Craftsman-style homes were so attractive, given the round-about way they were conceived. Rather than emerging simply as a new architectural form, Craftsman homes developed as part of the Arts and Crafts movement, which in many ways was a reaction against the over-decorated and fragile aesthetics of the Victorian era, as well as the lack of personal touch in many modern-era buildings. Given those prerequisites, one might have expected an unfocussed, impressionistic style to emerge, rather than the refined, often symmetrical building shapes for which Craftsman style homes are known. These homes can generally be identified by their front entrances featuring a large raised porch with columns on either side, a central door, and a single second story window in the second floor gable. Roofs in this style are generally hipped, with overhanging eaves on all four sides. Other common Craftsman features include extensive stonework, rough-hewn wood, and stucco exteriors.

The popularization of Craftsman homes is largely credited to designer Gustav Stickley, a turn of the century architect who often featured these homes in his magazine, The Craftsman. Stickley famously referred to Craftsman style as “a house reduced to its simplest form,” wrote lengthy reviews on home and furniture originals by designers Harvey Ellis, the Greene Brothers, and others. Large numbers of Craftsman homes began appearing in San Diego in the early 20th century, which eventually led to the term “California Bungalow” for these types of homes.

Craftsman-style homes worked as well for families and middle class as they did for designers and artistic activists. One of the most significant advances made by these homes was the way they re-aligned the kitchen area with the rest of the main floor – instead of having a segregated kitchen with a formal dining room, Craftsman homes often had a built-in “breakfast nook” so that families could eat closer to the kitchen, which then became the center of activity on the upper floor.

Understanding Cape Cod Architecture

January 3rd, 2010

Americans have always loved a good Cape Cod home. In 1938 when Life magazine asked families to choose their ideal place to live, the Cape Cod design was among those few selected, even when compared to an original modern home by renowned architect Frank Lloyd Wright. The design visionary may have had great ideas and some very attractive sketches, but he didn’t have hundreds of years of building tradition and a classic form recognized by everyone. Cape Cod designs are just as popular today, and will likely continue as one of the nation’s most enduring building styles.

The Cape Cod style dates back to the earliest period in American and Atlantic Canadian colonial history. These first homes in the 1600s were un-adorned and practical, built for year-round comfort in the windy, cold Eastern Seaboard climate. Scarce natural resources for building also helped keep these homes simple and small, with little deviation in design, and typically rock or plaster exterior walls.

Early Cape Cod homes had a narrow rectangular shape, with a steep pitched roof to keep winter snow from accumulating. Rarely built with upper floor dormers, these homes tended to have a stark, impenetrable look, which became fashionable during the Gothic Revival period of the early 19th century. Cape Cod windows were generally double paned with wooden shutters, and placed symmetrically on either side of a central door, as well as in the gable on either side of the house. The first Cape Cods, also known as Colonial Capes, were usually one or two rooms deep at the most and just a single story with a large attic, contrasting with many 18th and 19th century styles that featured large two and three story designs. Colonial Cape floor plans tended to max out at 1-2,000 sq ft, and were typically furnished with all hardwood floors.

Cape Cod architecture was less common in the late 18th and early 19th centuries as other styles predominated, but it enjoyed a widespread revival in the 1920s, when builders in other parts of the nation started using the style. The family awarded a new Cape Cod style home in the 1938 Life Magazine project chose to build in Edina, Minnesota, far from the coastal Massachusetts region for which the style is named. Colonial Revival Capes introduced a variety of new features to the classic form, including upper-floor dormers for extra light, bay and picture windows, front entrance pilasters, and more modern floor plans that sometimes included a kitchen extension at the back of the house. But revivalists were careful to remember the Cape Cod’s original appeal rooted in classic design, practicality, and affordability, and designed their new homes as traditionally as possible.

Understanding Queen Anne Architecture

January 1st, 2010

Queen Anne style homes are often easy to spot, but hard to define. It’s partially that elusivity combined with distinctness that makes the style so attractive to buyers and preservationists across the nation. Queen Anne homes are often referred to as the most ornate buildings of the Victorian era, and combine a variety of aesthetics and building methods from the late 1800s and early 1900s.

One of the reasons Queen Anne architecture looks so different from other styles is that it was generally only used on houses. While other styles like Gothic Revival and Federal were being adapted for commercial buildings, churches, and public institutions, Queen Anne architecture was specifically made for upscale houses and mansions, using the latest materials and methods of the machine age. Another developmental difference between Queen Anne and other styles is that it didn’t tend to draw on past eras, but instead produced a new building school that helped set the stage for 20th century homes.

The defining characteristics of the Queen Anne style are many and not always consistent, but there are a few key elements. In general, Queen Anne homes use high-pitched, irregular roofs, spindles and lookouts, decorative structure elements such as columns, and covered balconies. Many Queen Anne homes also employ stained glass, turrets, half timbering in the gables similar to the Tudor style, and patterned masonry. Different sub-styles of the Queen Anne movement include Spindled, Free Classic, Half-Timbered, and Patterned Masonry.

While generally very attractive, Queen Anne homes are often derided as being excessive, or “ginger-bread” like. It’s true that Queen Anne architecture was the product of a rapidly changing era, and many of the homes included features never seen before, so the criticism holds some weight.

The name for the Queen Anne style is often attributed to an 1852 novel by William Makepeace Thackeray entitled “The History of Henry Esmond, Esq. , A Colonel in the Service of Her Majesty Queen Anne,” which was popular for decades in the English speaking world. By contrast, stylish and modern furnishings from the historical reign of England’s Queen Anne, came to be classified in a style known as “William and Mary. ”