Posts Tagged ‘Hallmarks’

Architectural Details Coming Back

January 9th, 2010

Craftsman style architecture was a huge hit in the early 1900s. The beautiful architectural style with unique craftsman trims and decorative exterior accents were a display of craftsman beauty, architectural diligence, and pure woodworking expertise. The craftsman style faded, however, because as beautiful as these architectural accents were, they became maintenance nightmares on the exterior due mainly to rotting. Beautifully crafted architectural details needed to be removed or redone in order to maintain the architectural integrity. Craftsman style homes eventually faded out and track homes took the limelight. Competition and affordability became hallmarks in the building and real estate industry to cater towards middle income families.

Lately, however, there’s been a reverse of the trend, especially with the 2008 housing recession in full gear. There are two reasons for this. First off, the current buyers market makes it difficult for plain houses to stick out anymore. This makes it easy for a homeowner to get a custom home or a house with upgrades and details at a stellar price. These houses are selling more now and track homes are sitting on the sidelines. Additionally, new low maintenance products on the market like PVC and composites have helped revive the craftsman style of architecture. Fabricators, manufacturers, and craftsman woodworkers have found better ways to develop architectural accents that are maintenance free. Because of this, architectural quality has returned and is continuing to make a comeback. The current housing recession is aiding in the return of the craftsman-style architecture by brining quality homes and upgraded details to an affordable price.

Window boxes are an example of the trend that is quickly returning. Brackets and functional shutters have also made a comeback. PVC has worked great for window boxes as a no rot alternative that is also water resistant. Many builders phased window boxes out of the architecture in the early 1900s because the water would rot the boxes out in as fast as little as three to five years. The quick rotting and maintenance jeopardized the reputations of the builders. Now, more builders are brining window boxes back, because they add architectural beauty and curb appeal and finally they are maintenance free. Anything that can get more potential home buyers to step foot inside has been the motto during this current recession. PVC has also been a huge hit for trim work and windows as well. There’s no better selling feature than to be able to ensure potential homebuyers that the quality that went into building the house is there to stay for a long time. With all these factors considered, expect to see a win for architecture in general as we move forward in 2008.




By: Matthew Buquoi

Architecture in Barcelona – Gaudí, Yes; Gaudy, No.

September 23rd, 2009

There is one common mistake people make when they think about the architecture of Barcelona. It is a popular misconception that the only memorable architecture was that of the city’s iconic figure, Antoni Gaudí; and even that is often dismissively passed over as somehow being simply ‘quirky’.

Barcelona is notable in that it contains remarkable architecture from, predominantly, three major periods – Catalan Gothic, Modernism and, last but most definitely not least, Contemporary.

Although there are some Roman remains in the city, most of the ‘classical’ architecture is from the 14th and 15th Century, in the area of the city known as the Barri Gòtic. There is a simply stunning Gothic cathedral, mainly built from the end of the 13th century although its north-western facade wasn’t completed until the late nineteenth. The cathedral can be found in the centre of a veritable labyrinth of narrow, twisting streets with palaces, courtyards and very grand houses.

Of course, it is the modernism of Gaudí and his contemporaries which has dominated people’s ideas of Barcelona’s architecture – mainly because of the city’s best-known building, La Sagrada Família and the breathtaking Parc Güell. Gaudí worked on his still incomplete masterpiece church from 1884 until his death in 1926. All of the hallmarks of his architecture can be seen here – curved building stones, organic-like shapes, extravagantly coloured mosaic tiles and that unique sense of audacity Gaudí possessed. There are many inspirational Gaudí designed buildings in Barcelona – La Pedrera and Casa Batlló amongst them – along with some unmistakable street lamps on Plaça Reial – but try not to miss the contributions of his fellow followers of the modernist tradition. In the Manzana de la Discordia, for example, in the L’Eixample region of the city, there are buildings by Lluís Domènech and Josep Puig as well as Gaudí himself. These Modernistas, although closely linked with art movements such as art nouveau, were hugely influenced by the other architectural styles around them in Barcelona, as well as by the natural shapes of the area. They also loved to experiment with unusual combinations of building materials. Look at the buildings closely and you’ll appreciate that any ‘quirky’ or ‘gaudy’ labels attached to them are dreadfully over-simplistic.

It is perhaps of no surprise, then, that much contemporary architecture in the city is equally as adventurous. Sir Norman Foster, the British designer and architect who gained the prestigious Prince of Asturias award for the Arts in 2009, has been at the forefront of modern design in the city. His telecom Tower at Collserola looks out over the city and his imaginative, Gaudí-inspired development of the Barcelona Football Stadium is sure to astonish the world when it is completed in 2013. The Torre Agbar skyscraper of Jean Nouvel, opened in 2005, is just one of a number of other daring and provocative buildings that abound.

Barcelona is an architecturally stunning city; surprises await round almost every corner. It has always been an independent, challenging corner of Spain – and its architecture helps illustrate that element of its character perfectly.




By: Mark Hazard