Posts Tagged ‘Classical Architecture’

Modern Landscape Design in Houston Texas

December 8th, 2009

Modernism, in the context of landscape design, is a result of forms and functions that reflect the need for outdoor living spaces that enhance contemporary lifestyles. As Garrett Eckbo, one of the central figures in modern landscape architecture, said, landscape design is the “arrangement of environments for people.”

Contemporary garden design tends to focus on scale as opposed to formal landscape designs that are based on axial relationships. It also foregoes the more classic landscape design forms and larger scale from Greek, Roman, and classical architecture traditions. This design motif became popular in the 1950’s baby boom, particularly in California where weather and lifestyle was very conducive to this innovative style.

In modern landscape design, boundaries between areas of color, textures and shapes are undefined-or conversely, sharply defined. Color and composition create the emotional response. Combining freshness and flair, these designs use dramatic geometric shapes to create a point of view that is fluid and natural. Water and light are often used, as in artfully-lit outdoor water fountains, to enhance the sensual loveliness and liveliness. The designs are arresting, both close up and far away.

Form and Function in Modern Landscape Design

As the maxim says, form follows function. Modern landscape design is an aesthetic that shows only what is necessary while often leaving surfaces exposed. The simplicity of modern design reveals itself in that every form has a function, even when that function is merely to engage the senses.

It is possible, sometimes desirable, to use modern design techniques without creating a high-tech look. That is, to make use of horizontal and vertical planes that manufacture a modern sculpture effect-and let colors and plantings evoke a warm, welcoming feel. It is that juxtaposition-hard and soft, linear and non-linear, energetic and restrained-that is the essence of modern landscape design. “Less is more” is the modern landscape design mantra. A huge plant palette is not necessary. Rather, it is how plants, materials, and textures are used and mass them together that create the contemporary effect.

The architecture of the house needs to be carefully considered when using a contemporary garden design. If the house is bold, the grounds need to be strong also.

The home and landscape can be tied together through selective use of plantings or the intelligent placement of a hardscape feature, such as an organic approach to the front door.

Using Today’s Technology in Your Modern Landscape

Naturally new technologies in building materials are a big component of modern landscape design, which can mean a new approach using old materials or a new approach using new materials. Often, it is the contrast of material usage that suggests modernism.

Concrete, with its sturdiness and malleability, has won a firm place in contemporary garden design. Its cool, gray color alone establishes its credibility. Its uses run the gamut from flooring to columns to stark, amorphous benches. In addition to concrete, advances in steel and glass technologies, plus construction methods, can be even further exploited within the modern landscape design.

Often materials, such as stone, metal, plastics, steel and glass, are left in an exposed or raw state. Part of the beauty of these materials derives from their interplay with nature-the way steel rusts to a warm, burnt look, for instance.

The Spaces of Modern Landscape Design

Landscape themes such as English, Asian, Zen gardens, natural, Japanese or modern identify not only your property but also your tastes and style. Color, form, line, scale, and texture are your means of expressing those landscape design preferences.

Your choices can be demonstrated in the plants and hardscapes you choose. Beauty can be a maple imported from Japan. It can also be the wild grass native to the Texas coastal plains. You may have outdoor works of art to display in your landscape. Or you might use a stream that ends in a waterfall as an ever-changing sculpture of sound and movement. Landscape lighting is another crucial tool of contemporary garden design as it creates ambiance and lets you enjoy your landscape night and day.

Other uses of space in contemporary designs include:

• Outdoor rooms for living. These living areas, in effect, make your home bigger. They also serve to create transition areas that connect the indoor and outdoor spaces. In this regard, this style is similar to a Mediterranean landscape design with its underlying principle that the outdoor living area should be just as enjoyable and functional as the home’s interior.

• Outdoor kitchens. The center of outdoor entertainment, outdoor kitchens provide a natural gathering place. Their design should complement both the house and the landscape. Above all, their design should be functional.

• Luxury swimming pools. When designed from a modern viewpoint, luxury swimming pools are anything but a boring rectangle or kidney-shaped pool. They become sophisticated and exciting, eye-catching and mesmerizing. Often, you can combine them with an outdoor water fountain that eliminates some redundancies while adding vitality to your overall design.

Thoroughly Modern

Modern landscape design is even more appropriate today than it was 50 years ago. Jeff Halper with Exterior Worlds says, “Contemporary garden design has gotten only better with time. With today’s busy lifestyles, there is less time for gardening. Also, we need to use our gardens for multiple functions these days-sanctuary, entertainment, a place for children to play safely. Modern landscape design addresses all these wants and needs.”

Robert Irwin, the landscape architect of the Getty Center in Los Angeles, puts it this way: “…maybe the world is an art form [and] the gardening of our universe” reveals our participation in that work of art.




By: Jeff Halper

Architecture in Barcelona – Gaudí, Yes; Gaudy, No.

September 23rd, 2009

There is one common mistake people make when they think about the architecture of Barcelona. It is a popular misconception that the only memorable architecture was that of the city’s iconic figure, Antoni Gaudí; and even that is often dismissively passed over as somehow being simply ‘quirky’.

Barcelona is notable in that it contains remarkable architecture from, predominantly, three major periods – Catalan Gothic, Modernism and, last but most definitely not least, Contemporary.

Although there are some Roman remains in the city, most of the ‘classical’ architecture is from the 14th and 15th Century, in the area of the city known as the Barri Gòtic. There is a simply stunning Gothic cathedral, mainly built from the end of the 13th century although its north-western facade wasn’t completed until the late nineteenth. The cathedral can be found in the centre of a veritable labyrinth of narrow, twisting streets with palaces, courtyards and very grand houses.

Of course, it is the modernism of Gaudí and his contemporaries which has dominated people’s ideas of Barcelona’s architecture – mainly because of the city’s best-known building, La Sagrada Família and the breathtaking Parc Güell. Gaudí worked on his still incomplete masterpiece church from 1884 until his death in 1926. All of the hallmarks of his architecture can be seen here – curved building stones, organic-like shapes, extravagantly coloured mosaic tiles and that unique sense of audacity Gaudí possessed. There are many inspirational Gaudí designed buildings in Barcelona – La Pedrera and Casa Batlló amongst them – along with some unmistakable street lamps on Plaça Reial – but try not to miss the contributions of his fellow followers of the modernist tradition. In the Manzana de la Discordia, for example, in the L’Eixample region of the city, there are buildings by Lluís Domènech and Josep Puig as well as Gaudí himself. These Modernistas, although closely linked with art movements such as art nouveau, were hugely influenced by the other architectural styles around them in Barcelona, as well as by the natural shapes of the area. They also loved to experiment with unusual combinations of building materials. Look at the buildings closely and you’ll appreciate that any ‘quirky’ or ‘gaudy’ labels attached to them are dreadfully over-simplistic.

It is perhaps of no surprise, then, that much contemporary architecture in the city is equally as adventurous. Sir Norman Foster, the British designer and architect who gained the prestigious Prince of Asturias award for the Arts in 2009, has been at the forefront of modern design in the city. His telecom Tower at Collserola looks out over the city and his imaginative, Gaudí-inspired development of the Barcelona Football Stadium is sure to astonish the world when it is completed in 2013. The Torre Agbar skyscraper of Jean Nouvel, opened in 2005, is just one of a number of other daring and provocative buildings that abound.

Barcelona is an architecturally stunning city; surprises await round almost every corner. It has always been an independent, challenging corner of Spain – and its architecture helps illustrate that element of its character perfectly.




By: Mark Hazard